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Why James Junk Believes Perspective Beats Perfection in Design

May 21, 2025
 · 
7 min read
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James Junk never set out to be a designer. In fact, it was a moment of “lockdown languish lunacy” that shook him into clarity. What started as a personal Instagram account to share self-reflection notes turned into an unexpected creative calling. Today, James combines intuition, play, and a sharp sense of perspective to create expressive, personality-driven work that defies templates and expectations.

Can you tell us a little about your first few steps in your career. Was there a moment or experience when you realised this was what you'd do as a career?

I call it ‘lockdown languish lunacy’, that feeling we all experienced, for better or worse. You remember the feeling: quarantined, nowhere to go, no one to see, and nothing to do—every day. I felt empty, hollow, and soon had the epiphany that the trajectory I was on—taking marketing classes that I don’t care about to get a marketing job that I probably won’t care about—wasn’t going to take me to a life fulfilled. The pickle was that I didn’t even have a vision or an idea of what I wanted such fulfilled life to look like! It felt like reading a book with no plot—just humdrum events and pedestrian decisions, with no payoff or climax. Needless to say, it was a hard pill to swallow.

I knew something needed to change, so I had taken up reading books on self-development and the human purpose, and from those readings took my own notes, wrote my own conclusions. I felt the need to share these notes with the world; one crucial thing that these books made me realize is that I felt listless in life because not only do I not know what I’m doing, I don’t know what I *want* to do. I freaked out—I had finally cracked the problem. That was it.

But then I was faced with another problem: what *do* I want to do? I racked my brain and broke it. Then, I decided to walk it back, and instead of looking at my future at large, looked at my present today. ‘What do I want to do today?’ I asked myself. ‘Today, I want to share these thoughts with the world.’ I responded. So I did just that. In true 2020 fashion, I made a separate account for my quarantine hobby. Some had baking accounts, fitness accounts, car accounts; I had a notes-on-life account. Unfortunately, I am anchored by the burden of taste; I couldn’t just post a screenshot and call it today. I couldn’t help myself—I had to make it pretty! So I popped open Illustrator, which I hadn’t done since taking a prerequisite course on creative software for my marketing program that I definitely sleepwalked through, and spent the afternoon looking at fonts, exploring colors, figuring out how to add a gradient fill, and so on. It was the most fun I had had since being quarantined, and it was by doing something I didn’t even know how to do! I had very little exposure to graphic design up to that day, never even thought of it is a hobby, never mind a career. But that’s the magic of life. What I wanted to do—share my thoughts to whoever may be—led me to something I didn’t expect I’d *love.*

And now we’re here. Looking back, I can’t say there was a single moment where I thought, ‘Yes, graphic design is it.’ But I will say this: every day I ask myself what I want to do, and since that day, the answer has always been: ‘I want to get creative today.’

What lessons from your career have most shaped your style and approach?

Thinking more than doing. I used to be an inspiration hoarder, grabbing visuals and assets from all over the ether, filled with excitement and the drive to do something with them down the line, that when it came down to actually doing it, there was no energy left to!

It’s a good reminder that you can be as inspired as you can, but if no action is put behind it, the tension from the feeling inspired will turn into feelings of resignation and inertia. That lesson taught me to think *with* purpose, not just in circles.

Tell us about the core values or philosophies that guide your creative practice.

Play first. It’s easy, as a professional establishing themself in the industry, to lose their sense of fun and play for the sake of sticking to a brief . But always, always remember that you got hired because of what you already made, not they want you to make.

Release all pressure. More often than not, I go into a blank canvas without a plan. To some, this may make me look like a recluse, but I’d argue to say this is what keeps design fun and freeform for me.

Zero commitment, but all the energy. Not everything will go to plan, and that’s part of the process! As long as every step I take it rooted in authenticity, curiosity, and intentionality, I’ll always land with a result that makes me happy.

What needs to change, so emerging and under-represented creative professionals have more opportunity, are seen and heard?

While it is on those emerging and under-represented creatives to pave the way for their own selves, I believe established creative professionals with the experience and expertise should share in that undertaking. There is, to me, a clear divide in those just getting started, and the veterans. What’s missing is a sense of connective tissue—a bridge between generations—and I feel that that can be rectified by these veterans acknowledging and celebrating that young professionals have a perspective that deserves a spotlight. Only through receptivity, humility, and a sense of family can true change happen.

How important is it that creative professionals find their unique voice?

Incredibly! Skills and agility won’t amount to much if you lack voice and perspective and personality. You’re a person, not a design machine here to churn out perfectly crafted design exports to make clients happy. Stop thinking that skill will get you places, because it’s good to remember that clients don’t call hollow portfolios; they call ones with something to say, ones that show technical prowess but also a peek at the human behind it. To attract the work you want to make, to work with clients you want to collaborate with—all in the interest of paying your rent and keeping your sanity in this oversaturated, overhustling industry—it’s no longer enough to only be a trained creative professional! You have to have something to say. Figure that out and you’re golden. If you don’t have that, write me a note, and I’ll help you.

Looking ahead, what do you think are the key factors that will influence change for creative professionals?

Technology, and authenticity. The industry is accelerating higher than we can predict, and it will change the way we create and consume. Along comes the demand for authenticity. Again, your perspective is what will get you hired more than your skills.

How much does your city influence your work?

So much! Los Angeles is full of vibrance and diversity. In so many ways, my work reflects that.

How much does your culture influence your work?

Angelenos and Filipinos are resilient and ultra-creative. Coming from two fun-loving cultures taught me that joy and progress can coexist—and that everything will fall into place in time.

Tell us some of your favourite, creative professionals and inspiring places in your city!

Mindy Nguyen, Creative Director of ilovecreatives Studio. She’s a wonderful collaborator and an even more wonderful boss. Working with her feels like being at a playground with your friend, but you get to grow as a creative, too, because her style of feedback-giving has consistently pushed me to be a more imaginative, more open, and more intelligent designer.

York Blvd. in Highland Park is full of old and new establishments, and every time I walk about that area, I’m always inundated with inspiration.

Stories in Echo Park is a gem. It’s just a bookstore, but it always sparks something in me. You’ll have to go to see what I mean.

What should emerging creative professionals keep in mind as they begin their design career?

Confidence with curiosity. Don’t think you know everything, and always be learning. There are countless ways to do one thing, and while you’re not required to master them all, staying open will always serve you.

Don’t just think outside the box—think like there *is* no box! You can make the rules and break ‘em the same day.

Don’t worry about the money; just worry about getting better. Like I said, clients don’t call hollow, filler portfolios, but rather portfolios that have something to say.

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