I did the Bachelor of Communication (Professional Communication) at RMIT University in Melbourne. The course takes you through different facets of the communications industry, including public relations, media, journalism and marketing. Despite majoring in PR, I soon realised it wasn’t for me - editing and writing was much more up my alley. When I finished my degree, I did a tonne of work experience at mags like Marie Claire, Shop Til You Drop, Lifelounge Magazine, Girlfriend and ACCLAIM. These placements helped me build experience and make contacts, and when a job came up editing a new website at Lifelounge, I interviewed and got the role. That was my first full-time position. (And my only one, before frankie!)
I’m not sure that there is such thing as a ‘typical’ working day! As a bi-monthly publication, we run in two-month cycles, and my tasks change depending on where we’re at in that rotation. Generally, my days are a mishmash of hunting for content, commissioning contributors and subjects, chasing said contributors and subjects for copy, writing, interviewing, sub-editing, proofreading, reviewing layouts and talking strategy with our ad and marketing teams. I also spend a fair bit of time in the black hole that is my inbox, rustling through my secret snack drawer, and drinking copious amounts of tea.
Applying for internships was the best thing I did. Getting into an office and learning how a magazine actually works is so valuable - you may discover a job that you had no idea existed! Plus, you’ll meet people who could wind up being great mentors or contacts. There’s no better way to really understand an industry than by watching it in action. Having said that, if the internship is unpaid, it’s important not to let anyone take advantage of you and your work. Only stay as long as you’re getting something out of it. You’re there to learn, observe, and hopefully be a bit hands-on - not solely to do the photocopying and coffee runs.
As a teeny-tiny team, we sadly don’t have job openings very often. When they do come up, though, we look for editorial types with a strong grasp of language (creative writing, flow, punctuation - the whole shebang); keen writing skills; an eagle eye when it comes to spotting typos, inconsistencies, funny little design issues, and anything else proofing-related; a creative brain, with a penchant for problem-solving; a curiosity for other people and the world around them; and generally just a rad, low-key, friendly personality. They also have to be a team player - as I mentioned, our team is pretty small, so we’re always pitching in across ‘departments’ to help each other out. Oh, and being super-organised helps. Editorial jobs require a LOT of juggling!
Aside from landing an editorial role at frankie (my favourite magazine since way back), my highlights have mostly involved all the amazing people I’ve met along the way. There have been pinch-myself moments with big names like Carrie Brownstein and John Waters, but to be honest, it’s the regular folk who’ve made the biggest impressions. Some of my closest friends have come out of interviews and collaborations, and just being surrounded by inspiration and creativity every day is the best. Other highlights: getting to spend my days working with words (massive word nerd over here); watching people we feature go on to achieve big things; and seeing my first issue as editor out on the shelves.
1. Don’t rush. In an editorial role, this is so important. It’s also something I’ve had to continually remind myself over the past few years! When you have deadlines and a million things to tick off your to-do list, it’s tempting to race through and get it all done as fast as possible, but that’s when little errors and oversights slip in. Slow down. Read each word/sentence/headline carefully. Take your time. Be thorough.