Tell us about where you studied and some of your highlights and favourite lecturers.
I studied Visual Communication Design at Sichuan Fine Art Institute and later earned an MA in Design from Goldsmiths, University of London.
At Goldsmiths, I loved the experimental approach and the freedom to explore different ideas. One of my favorite projects, Reception & Comprehension & Transmission, examined how information changes as it spreads under certain rules and what that transformation might reveal. I visualized the research process through editorial design. I was lucky to learn from many incredible lecturers, including Imogen Piper, Laura Potter, and Vero Liu, who encouraged critical discussions that shaped how I think about design’s role in culture and society.
Beyond academics, I also grew a lot at Quinsay Design, working under art director Tong Yi, who helped me build my skills and expand my industry knowledge as a graphic designer.
What weird and wonderful things are you obsessed with right now that inspires your creative work?
I’m probably not the only one, but I’m really obsessed with film photography. It’s helped me develop a stronger sense of composition and visual storytelling. The unpredictability and texture of film, combined with the careful consideration of each shot, have also influenced how I approach visual work.
Favourite travel destinations that inspire you?
Hackney, London – It’s a really inspiring area for me. There are so many cool coffee shops, art book stores, and street art around. I also love the design vibe in Amsterdam, Netherlands. And I’m really looking forward to visiting Berlin as well, as I’ve heard so much about its creative energy and vibrant art scene.
Tell us about your tools / what tech, programs, equipment and environment do you do your best work in?
I mostly work with Adobe Creative Suite for my design projects. For illustrations and illustrative animations, I love using Procreate—it offers so much flexibility and freedom to experiment. Recently, I’ve also started using Figma, and I find it really smart and convenient for coordinating projects, especially when collaborating with others. It’s helping me streamline my workflow and increase efficiency.
Which 3 creatives do you look up to and why?
Enzo Mari – I really admire him for his practical design approach. His work is grounded in functionality, yet it always has a sense of beauty and simplicity. He managed to combine practicality with thoughtful, purposeful design, which really resonates with how I approach my own work.
Jay Cover – Recently, I’ve been really inspired by Jay Cover. His design and illustration work have such a unique style, blending playfulness with simplicity. I especially love his work for Woset—it’s full of character and incredibly engaging.
Tiger Dingsun – I like his unique design methodology and how he using a modular and interactive approach to break down the research objects.
What are your biggest hopes and dreams for 2025, both for the world and your career?
For the world, I really hope for more peace and love. For me, as I’m currently interning at an agency in London, I’m hopeful that I can find an entry-level position here. I’m really enjoying the experience and excited about the possibility of growing my career in this vibrant city.
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